SIRUI Vision Prime 15/75/150 mm T1.4 Full-Frame Cine Lens
SKU:
VP-1-15B
€739,00
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Key Features
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SIRUI Vision Prime 15/75/150 mm T1.4 Full-Frame Cine Lens - 15mm / Black / User-interchangeable L/RF/Z Mount is in stock and will be shipped as soon as it is available again
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SIRUI Vision Prime 15/75/150 mm T1.4 Full-Frame Cine Lens
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Vision Prime Series
Full-Frame Anamorphic Cine Lens
15/24/35/50/75/150mm T1.4-T16
WATCH INTRO
Vision Prime Series
Highlights
Community Voices
T1.4 fast aperture
Full frame
Low focus breathing
Short minimum focusing distance
Excellent image quality
15-150mm full focal-length range
Interchangeable Mounts
Designed for professional filmmaking
Compact & lightweight
Comfortable operation

Highlights

T1.4 fast aperture

Full frame

Low focus breathing

Short minimum focusing distance

Excellent image quality

15-150mm full focal-length range

Interchangeable Mounts

Designed for professional filmmaking

Compact & lightweight

Comfortable operation
Community Voices

Eric Gibaud
Professional Photographer · 130K subscribers
“The entire series has the gears in the same position, which is fantastic. I don't have to reposition the mount or the entire rig. I really like the bokeh and the light points.”

Photolari
Journalist · 268K subscribers
“They have a very pleasant warm character and soft contrast. They feel more organic, not as clinical or sharp. And the fact that you can change the mount makes them incredibly interesting.”

Matt Irwin
Photographer · 137K subscribers
“In my opinion, this is absolutely fantastic. I can use this physical lens on all these cameras - that's great for a production team or a photographer with multiple systems, because you can use a single lens. These are high-quality lenses, and for the main users, camera operators, this is exactly what they want.”

MarkusSenior
Filmmaker · 265K subscribers
“The SIRUI Vision Primes have become my favorite lenses, especially when paired with the DJI gimbal system. A lightweight full-frame trio for creators, filmmakers, and solo shooters. If you want cinematic yet practical outdoor footage, it's hard to beat this combination.”
1 / 5
T1.4 fast aperture
When the aperture is fully open, more light can pass through the lens - suitable for a variety of situations. In low light, this enables filming with natural light and makes shooting easier and more flexible, as less artificial light is needed.
Capture high-resolution images with edge-to-edge sharpness even at maximum aperture. Twelve aperture blades on the 24mm/35mm models and 18 aperture blades on the 50mm design, together with the fast T1.4 aperture, create round, creamy bokeh instead of onion-ring bokeh and gently separate the subject from the background.
Full frame
The series covers full-frame and selected large-format cameras and can be paired with common mirrorless and cinema cameras to deliver excellent image quality without vignetting.
46mm
Vision Prime image circle
43.3mm
Full-frame image circle
Low focus breathing
Minimal shift in the angle of view, virtually unchanged image edges, and low focus breathing when changing focus.
24mm
35mm
50mm
75mm
Short minimum focusing distance
15mm
24mm
35mm
50mm
75mm
150mm
15mm: Minimum focusing distance 0.3m
24mm: Minimum focusing distance 0.26m
35mm: Minimum focusing distance 0.3m
50mm: Minimum focusing distance 0.43m
75mm: Minimum focusing distance 0.75m
150mm: Minimum focusing distance 0.29m
Excellent image quality
Aspherical lens
Reduces weight and controls chromatic aberration and chromatic dispersion.
ED glass
Sharp images with accurate color reproduction.
HRI glass
Reduces flare and improves light transmission.

15mm
24mm
35mm
50mm
75mm
150mm
Aspherical lens
3
1
1
/
1
/
ED glass
1
4
4
4
1
3
HRI glass
4
3
3
3
4
3
15-150mm full focal-length range
15mm
24mm
35mm
50mm
75mm
150mm
The 15mm is a lens suited to capturing expansive scenes. It allows more of the scene to fit in the frame even at close distances, making it ideal for landscapes, architecture, and creative shots with strong perspective.
The 24mm is suitable for landscapes, interior shots, street photography, and wide-angle shots.
The 35mm is suitable for portraits, humanistic photography, food photography, still lifes, and posed shots.
The 50mm is suitable for portraits, close-ups, shots over long distances, background compression with telephoto lenses, and bokeh effects.
The 75mm is suitable for portraits and medium-telephoto shots. It produces natural compression, attractive background separation, and is ideal for making subjects appear more intimate and focused.
The 150mm macro is suitable for close-ups and medium-telephoto shots. It captures fine details at high magnification and works equally well for portraits, product photography, and perspective-compressed shots from a distance.
User-changeable mounts
SIRUI's patented design with a native Sony E-mount as well as included RF-, Z-, and L-mounts - no shims required. One lens covers common mirrorless systems, combining rock-solid stability with the flexibility to switch between camera systems.

E-Mount

L-Mount

RF-Mount

Z-Mount
Designed for professional filmmaking
With focal lengths ranging from ultra-wide-angle to standard and medium telephoto through tele-macro, this series meets a wide range of needs - from landscape and humanistic shots to portraits, still lifes, atmospheric portraits, and close-up product shots. With a consistent optical look and high-quality construction, it delivers a complete cine lens ecosystem.
Narrative filmmaking
For filmmakers & directors
Commercial filmmaking
For commercial production teams
Travel & documentary
For travel creators & documentary filmmakers
Event filmmaking
For wedding & event filmmakers
Product filmmaking
For product & brand creators
Content creation
For YouTubers & social media creators


Compact & lightweight
Made from aluminum alloy, all lenses are similarly lightweight and easy to transport.
*Weight may vary slightly depending on the lens model and mount.
*Weight may vary slightly depending on the lens model and mount.
Comfortable operation

Identical gear position
Simplified adjustment

270° focus rotation
Smooth and precise focus pulling

Dual scale
Inch / Metric

Triple protection
Resistant to dust, dirt, and splashes
Film in motion
Cinematic look
Commercial video
Travel film
Short film
Documentary
What's included
Single lens
Lens × 1
Packaging box x1
Rear lens cap x1
Front lens cap × 1
Interchangeable mount x 3
Screwdriver x1 & screw x8
Carrying strap x1
Warranty card x1
Lens set
Lens x3
Lens case × 1
Rear lens cap × 1
Front lens cap × 1
Screwdriver x1 & screw x24
Warranty card x1
Interchangeable mount x9
Specifications
Lens






Model
15mm T1.6 Cine lens
24mm T1.4 Cine lens
35mm T1.4 Cine lens
50mm T1.4 Cine lens
75mm T1.4 Cine lens
150mm T4 Cine lens
Format
Full frame
Full frame
Full frame
Full frame
Full frame
Full frame
Focal length
15mm
24mm
35mm
50mm
75mm
150mm
Maximum aperture
T1.6
T1.4
T1.4
T1.4
T1.4
T4
Minimum aperture
T16
T16
T16
T16
T16
T22
Lens construction
17 lenses
in 12 groups
in 12 groups
14 lenses
in 11 groups
in 11 groups
14 lenses
in 11 groups
in 11 groups
14 lenses
in 11 groups
in 11 groups
16 lenses
in 12 groups
in 12 groups
16 lenses
in 12 groups
in 12 groups
Aperture blades
12
12
12
18
18
13
Shooting distance
0.3m – ∞
0.26m(0.85ft) – ∞
0.3m(0.98ft) – ∞
0.43m(1.41ft) – ∞
0.75m – ∞
0.29m – ∞
Minimum focusing distance
0.3m
0.26m
0.3m
0.43m
0.75m
0.29m
Focusing method
MF
MF
MF
MF
MF
MF
Maximum magnification ratio
0,08 (1:12,5)
0,15
0,162
0,15
0,11 (1:9,09)
1.5X
Field of view (FOV)
98.1° (V)
74.33° (H)
109.3° (D)
74.33° (H)
109.3° (D)
52.06° (V)
71.82° (H)
82.93° (D)
71.82° (H)
82.93° (D)
39.6° (V)
57.1° (H)
66.3° (D)
57.1° (H)
66.3° (D)
28.114° (V)
41.22° (H)
48.758° (D)
41.22° (H)
48.758° (D)
26.83° (V)
17.88° (H)
32.34 (D)
17.88° (H)
32.34 (D)
9.12° (V)
13.59° (H)
16.26° (D)
13.59° (H)
16.26° (D)
Filter size (mm)
M77×0.75
M67×0.75
M67×0.75
M67×0.75
M67×0.75
M67×0.75
Focus ring rotation angle
270°
270°
270°
270°
270°
270°
Maximum diameter (mm)
80
80
80
80
80
80
Outer diameter
Focus ring (mm)
Focus ring (mm)
80/3,15
80/3,15
80/3,15
80/3,15
80/3,15
80/3,15
Outer diameter
Aperture ring (mm)
Aperture ring (mm)
75,2/2,96
75,2/2,96
75,2/2,96
75,2/2,96
75,2/2,96
75,2/2,96
Length (mm/in)
(without lens cap)
(without lens cap)
E mount: 107/4.21
RF mount: 105/4.13
L mount: 105/4.13
Z mount: 109/4.29
RF mount: 105/4.13
L mount: 105/4.13
Z mount: 109/4.29
E mount: 107.2/4.2
L mount: 105.2/4.1
RF mount: 105.2/4.1
Z mount: 109.2/4.3
L mount: 105.2/4.1
RF mount: 105.2/4.1
Z mount: 109.2/4.3
E mount: 106/4.2
L mount: 107/4.2
RF mount: 104/4.1
Z mount: 104/4.1
L mount: 107/4.2
RF mount: 104/4.1
Z mount: 104/4.1
E mount: 102.2/4.0
L mount: 100.2/3.9
RF mount: 100.2/3.9
Z mount: 104.2/4.1
L mount: 100.2/3.9
RF mount: 100.2/3.9
Z mount: 104.2/4.1
E mount: 96.7/3.81
RF mount: 94.7/3.73
L mount: 94.7/3.73
Z mount: 98.7/3.89
RF mount: 94.7/3.73
L mount: 94.7/3.73
Z mount: 98.7/3.89
E mount: 146.6/5.77
RF mount: 144.6/5.69
L mount: 144.6/5.69
Z mount: 148.6/5.85
RF mount: 144.6/5.69
L mount: 144.6/5.69
Z mount: 148.6/5.85
Weight (g/lb)
(without lens cap)
(without lens cap)
E mount: 607/1.34
RF mount: 620/1.37
L mount: 607/1.34
Z mount: 620/1.37
RF mount: 620/1.37
L mount: 607/1.34
Z mount: 620/1.37
E mount: 597/1.3
L mount: 604/1.3
RF mount: 611/1.4
Z mount: 611/1.4
L mount: 604/1.3
RF mount: 611/1.4
Z mount: 611/1.4
E mount: 590/1.3
L mount: 593/1.3
RF mount: 606/1.3
Z mount: 607/1.3
L mount: 593/1.3
RF mount: 606/1.3
Z mount: 607/1.3
E mount: 599/1.3
RF mount: 613/1.4
L mount: 601/1.3
Z mount: 613/1.4
RF mount: 613/1.4
L mount: 601/1.3
Z mount: 613/1.4
E mount: 599/1.32
RF mount: 613/1.35
L mount: 600/1.32
Z mount: 613/1.35
RF mount: 613/1.35
L mount: 600/1.32
Z mount: 613/1.35
E mount: 715/1.58
RF mount: 730/1.61
L mount: 715/1.58
Z mount: 730/1.61
RF mount: 730/1.61
L mount: 715/1.58
Z mount: 730/1.61
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