Vision Prime 1 T1.4 Full-Frame Cinema Lens

Name: Vision Prime 1 T1.4 Full-Frame Cinema Lens
Brand: SIRUI Optical GmbH
SKU: VP-1-24B
Price: 665.0 EUR
Availability: InStock

SKU: VP-1-24B

€665,00 ~~€739,00~~

incl. VAT Shipping will be calculated at checkout.

Key Features

Focal Length

24mm 35mm 50mm 3 Lens Set

Color

Black Metal Gray

Product variants

Vision Prime 1 T1.4 Full-Frame Cinema Lens

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Vision Prime Series Highlights Community voices Fast T1.4 aperture Full frame Low focus breathing Short minimum focus distance Outstanding image quality Full 15-150mm focal length range Interchangeable mounts Designed for professional filmmaking Compact & lightweight Easy operation

Film in motion What’s in the box Specifications Reviews

Highlights

Fast T1.4 aperture

Full frame

Low focus breathing

Short minimum focus distance

Outstanding image quality

Full 15-150mm focal length range

Interchangeable mounts

Designed for professional filmmaking

Compact & lightweight

Easy operation

Community voices

Eric Gibaud

Professional photographer · 130K subscribers

“The entire series has the gears in the same position, which is fantastic. I don’t have to reposition the mount or the entire rig. I really like the bokeh and the points of light.”

Photolari

Journalist · 268K subscribers

“They have a very pleasant, warm character and soft contrast. They feel more organic, not so clinical or sharp. And the fact that you can change the mount makes them incredibly interesting.”

Matt Irwin

Photographer · 137K subscribers

“In my opinion, this is absolutely brilliant. I can use this physical lens on all these cameras – that’s great for a production team or a photographer with multiple systems, because you can use a single lens. These are high-quality lenses, and for the main use case, cinematographers, they’re exactly what they want.”

MarkusSenior

Filmmaker · 265K subscribers

“The SIRUI Vision Primes have become my favorite lenses, especially when paired with the DJI gimbal system. A lightweight full-frame trio for creators, filmmakers, and solo shooters. If you want cinematic yet practical outdoor footage, you can hardly go wrong with this combination.”

1 / 5

Fast T1.4 aperture

At full aperture, more light can pass through the lens, making it suitable for different situations. In low light, this allows you to shoot with natural light, making filming easier and more flexible by reducing the need for artificial lighting.

Capture high-resolution images with edge-to-edge sharpness, even at maximum aperture. The 24mm/35mm designs have 12 aperture blades, while the 50mm design has 18. The fast T1.4 aperture creates round, creamy bokeh rather than onion-ring bokeh, subtly separating the subject from the background.

Full frame

The series covers full-frame and select large-format cameras and pairs with popular mirrorless and cinema cameras to deliver outstanding image quality without vignetting.

46mm

Vision Prime image circle

43.3mm

Full-frame image circle

Low focus breathing

Minimal shift in angle of view, virtually unchanged image edges, and low focus breathing when changing focus.

24mm

35mm

50mm

75mm

Short minimum focus distance

15mm

24mm

35mm

50mm

75mm

150mm

15mm: Minimum focus distance 0.3m

24mm: Minimum focus distance 0.26m

35mm: Minimum focus distance 0.3m

50mm: Minimum focus distance 0.43m

75mm: Minimum focus distance 0.75m

150mm: Minimum focus distance 0.29m

Outstanding image quality

Aspherical lens

Reduces weight and controls chromatic aberration and dispersion.

ED glass

Sharp images with accurate color reproduction.

HRI glass

Reduces stray light and improves light transmission.

15mm

24mm

35mm

50mm

75mm

150mm

Aspherical lens

ED glass

HRI glass

Full 15-150mm focal length range

15mm

24mm

35mm

50mm

75mm

150mm

The 15mm lens is ideal for capturing expansive scenes. It fits more into the frame, even in close-up shots, making it ideal for landscapes, architecture, and creative shots with strong perspective.

The 24mm lens is suitable for landscapes, interiors, street photography, and wide-angle shots.

The 35mm lens is suitable for portraits, humanistic photography, food photography, still lifes, and staged shots.

The 50mm lens is suitable for portraits, close-ups, long-distance shots, telephoto background compression, and bokeh effects.

The 75mm lens is suitable for portraits and medium telephoto shots. It creates natural compression and pleasing background separation, making it ideal for giving subjects a more intimate, focused look.

The 150mm macro lens is suitable for close-ups and medium telephoto shots. It captures fine details at high magnification and works equally well for portraits, product photography, and distant shots with compressed perspective.

User-changeable mounts

SIRUI's patented design features a native Sony E-mount and includes RF, Z, and L mounts—no shims required. One lens covers popular mirrorless systems, combining rock-solid stability with the flexibility to switch between camera systems.

E-Mount

L-Mount

RF-Mount

Z-Mount

Designed for professional filmmaking

With focal lengths ranging from ultra-wide and standard to medium telephoto and tele-macro, this series meets a wide range of needs—from landscapes and human-interest shots to portraits, still lifes, atmospheric portraits, and close-up product shots. With a consistent optical look and high-quality construction, it delivers a complete cine lens ecosystem.

Narrative filmmaking

For filmmakers & directors

Commercial filmmaking

For commercial production teams

Travel & documentary

For travel creators & documentary filmmakers

Event filmmaking

For wedding & event filmmakers

Product filmmaking

For product & brand creators

Content creation

For YouTubers & social media creators

Compact & lightweight

Made from aluminum alloy, all lenses are similarly lightweight and easy to carry.
*Weight may vary slightly depending on the lens model and mount.

Easy operation

Identical gear position

Simplified setup

270° focus rotation

Smooth and precise focus adjustment

Dual scale

Imperial / Metric

Triple protection

Resistant to dust, dirt, and splashes

Motion picture

Cinematic feel

Commercial video

Travel film

Short film

Documentary

What's in the box

Single lens

Lens × 1

Packaging box x1

Rear lens cap x1

Front lens cap × 1

Interchangeable mount x 3

Screwdriver x1 & screw x8

Shoulder strap x1

Warranty card x1

Lens set

Lens x3

Lens case × 1

Rear lens cap × 1

Front lens cap × 1

Screwdriver x1 & screw x24

Warranty card x1

Interchangeable mount x9

Specifications

Lens

Model

15mm T1.6 Cine lens

24mm T1.4 Cine lens

35mm T1.4 Cine lens

50mm T1.4 Cine lens

75mm T1.4 Cine lens

150mm T4 Cine lens

Format

Full frame

Focal length

15mm

24mm

35mm

50mm

75mm

150mm

Maximum aperture

T1.6

T1.4

Minimum aperture

T16

T22

Lens construction

17 lenses
in 12 groups

14 lenses
in 11 groups

16 lenses
in 12 groups

Aperture blades

Shooting distance

0,3m – ∞

0,26m(0,85ft) – ∞

0,3m(0,98ft) – ∞

0,43m(1,41ft) – ∞

0,75m – ∞

0,29m – ∞

Minimum focus distance

0,3m

0,26m

0,3m

0,43m

0,75m

0,29m

Focusing method

Maximum magnification

0,08 (1:12,5)

0,15

0,162

0,15

0,11 (1:9,09)

1,5X

Field of view (FOV)

98,1° (V)
74,33° (H)
109,3° (D)

52,06° (V)
71,82° (H)
82,93° (D)

39,6° (V)
57,1° (H)
66,3° (D)

28,114° (V)
41,22° (H)
48,758° (D)

26,83° (V)
17,88° (H)
32,34 (D)

9,12° (V)
13,59° (H)
16,26° (D)

Filter size (mm)

M77×0,75

M67×0,75

Focus ring rotation angle

270°

Max. diameter (mm)

Outer diameter
Focus ring (mm)

80/3,15

Outer diameter
Aperture ring (mm)

75,2/2,96

Length (mm/in)
(without lens cap)

E mount: 107/4.21
RF mount: 105/4.13
L mount: 105/4.13
Z mount: 109/4.29

E mount: 107.2/4.2
L mount: 105.2/4.1
RF mount: 105.2/4.1
Z mount: 109.2/4.3

E mount: 106/4.2
L mount: 107/4.2
RF mount: 104/4.1
Z mount: 104/4.1

E mount: 102.2/4.0
L mount: 100.2/3.9
RF mount: 100.2/3.9
Z mount: 104.2/4.1

E mount: 96.7/3.81
RF mount: 94.7/3.73
L mount: 94.7/3.73
Z mount: 98.7/3.89

E mount: 146.6/5.77
RF mount: 144.6/5.69
L mount: 144.6/5.69
Z mount: 148.6/5.85

Weight (g/lb)
(without lens cap)

E mount: 607/1.34
RF mount: 620/1.37
L mount: 607/1.34
Z mount: 620/1.37

E mount: 597/1.3
L mount: 604/1.3
RF mount: 611/1.4
Z mount: 611/1.4

E mount: 590/1.3
L mount: 593/1.3
RF mount: 606/1.3
Z mount: 607/1.3

E mount: 599/1.3
RF mount: 613/1.4
L mount: 601/1.3
Z mount: 613/1.4

E mount: 599/1.32
RF mount: 613/1.35
L mount: 600/1.32
Z mount: 613/1.35

E mount: 715/1.58
RF mount: 730/1.61
L mount: 715/1.58
Z mount: 730/1.61