Vision Prime 1 T1.4 Full-Frame Cinema Lens

Name: Vision Prime 1 T1.4 Full-Frame Cinema Lens
Brand: SIRUI Optical GmbH
SKU: VP-1-24B
Price: 628.0 EUR
Availability: InStock

SKU: VP-1-24B

€628,00 ~~€739,00~~

incl. VAT Shipping will be calculated at checkout.

Key Features

Focal Length

24mm 35mm 50mm 3 Lens Set

Color

Black Metal Gray

Product variants

Vision Prime 1 T1.4 Full-Frame Cinema Lens

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Vision Prime Series Highlights Community voices T1.4 wide aperture Full frame Low focus breathing Short minimum focusing distance Excellent image quality 15-150mm full focal-length range Interchangeable mounts Designed for professional filmmaking Compact & lightweight Comfortable operation

Film in Motion What's Included Specifications Reviews

Highlights

T1.4 wide aperture

Full frame

Low focus breathing

Short minimum focusing distance

Excellent image quality

15-150mm full focal-length range

Interchangeable mounts

Designed for professional filmmaking

Compact & lightweight

Comfortable operation

Community voices

Eric Gibaud

Professional Photographer · 130K subscribers

“The entire series has the gears in the same position, which is fantastic. I don’t have to reposition the mount or the entire rig. I really like the bokeh and the light spots.”

Photolari

Journalist · 268K subscribers

“They have a very pleasant warm character and soft contrast. They feel more organic, not as clinical or sharp. And the fact that you can change the mount makes them incredibly interesting.”

Matt Irwin

Photographer · 137K subscribers

“In my view, this is absolutely brilliant. I can use this physical lens on all these cameras - that’s great for a production team or a photographer with multiple systems, because you can use a single lens. These are high-quality lenses, and for the primary use case, camera operators, this is exactly what they want.”

MarkusSenior

Filmmaker · 265K subscribers

“The SIRUI Vision Primes have become my favorite lenses, especially when paired with the DJI gimbal system. A lightweight full-frame trio for creators, filmmakers, and solo shooters. If you want cinematic yet practical outdoor footage, it’s hard to beat this combination.”

1 / 5

T1.4 wide aperture

At a fully open aperture, more light can pass through the lens - suitable for different situations. In low light, this makes it possible to film with natural light and makes shooting easier and more flexible, as less artificial light is needed.

Capture high-resolution images with edge-to-edge sharpness even at maximum aperture. The 12 aperture blades at 24mm/35mm and 18 aperture blades in the 50mm design, together with the fast T1.4 aperture, create round, creamy bokeh instead of onion-ring bokeh and gently separate the subject from the background.

Full frame

The series covers full-frame and selected large-format cameras and can be paired with common mirrorless and cinema cameras to deliver excellent image quality without vignetting.

46mm

Vision Prime image circle

43.3mm

Full-frame image circle

Low focus breathing

Minimal shift in the angle of view, virtually unchanged image edges, and low focus breathing during focus changes.

24mm

35mm

50mm

75mm

Short minimum focusing distance

15mm

24mm

35mm

50mm

75mm

150mm

15mm: Minimum focusing distance 0.3m

24mm: Minimum focusing distance 0.26m

35mm: Minimum focusing distance 0.3m

50mm: Minimum focusing distance 0.43m

75mm: Minimum focusing distance 0.75m

150mm: Minimum focusing distance 0.29m

Excellent image quality

Aspherical lens

Reduces weight and controls chromatic aberration and chromatic dispersion.

ED glass

Sharp images with accurate color reproduction.

HRI glass

Reduces flare and improves light transmission.

15mm

24mm

35mm

50mm

75mm

150mm

Aspherical lens

ED glass

HRI glass

15-150mm full focal-length range

15mm

24mm

35mm

50mm

75mm

150mm

The 15mm is a lens designed for capturing expansive scenes. It allows more content to fit in the frame even for close-up shots, making it ideal for landscapes, architecture, and creative shots with strong perspective.

The 24mm is suitable for landscapes, interiors, street photography, and wide-angle shots.

The 35mm is suitable for portraits, humanistic photography, food photography, still lifes, and posed shots.

The 50mm is suitable for portraits, close-ups, long-distance shots, background compression with telephoto lenses, and bokeh effects.

The 75mm is suitable for portraits and medium-telephoto shots. It creates natural compression, attractive background separation, and is ideal for making subjects appear more intimate and focused.

The 150mm macro is suitable for close-ups and medium-telephoto shots. It captures fine details at high magnification and works equally well for portraits, products, and perspective-compressed shots from a distance.

User-changeable mounts

SIRUI's patented design with a native Sony E mount and included RF, Z, and L mounts - no shims required. One lens supports common mirrorless systems, combining rock-solid stability with the flexibility to switch between camera systems.

E-Mount

L-Mount

RF-Mount

Z-Mount

Designed for professional filmmaking

With focal lengths ranging from ultra-wide-angle through standard and medium telephoto to telephoto macro, this series meets a wide range of needs - from landscape and humanistic shots to portraits, still lifes, atmospheric portraits, and close-up product shots. With a consistent optical look and high-quality construction, it delivers a complete cine lens ecosystem.

Narrative Film Production

For filmmakers & directors

Commercial Film Production

For commercial production teams

Travel & Documentary

For travel creators & documentary filmmakers

Event Film Production

For wedding & event filmmakers

Product Film Production

For product & brand creators

Content Creation

For YouTubers & social media creators

Compact & lightweight

Made from aluminum alloy, all lenses are similarly lightweight and easy to transport.
*Weight may vary slightly depending on the lens model and mount.

Comfortable operation

Identical gear position

Simplified adjustments

270° focus rotation

Smooth and precise focus pull

Dual scale

Inch / Metric

Triple protection

Resistant to dust, dirt, and splashes

Film in motion

Cinematic feel

Commercial video

Travel film

Short film

Documentary

What's included

Single lens

Lens × 1

Packaging box x1

Rear lens cap x1

Front lens cap × 1

Interchangeable mount x 3

Screwdriver x1 & screw x8

Carrying strap x1

Warranty card x1

Lens set

Lens x3

Lens case × 1

Rear lens cap × 1

Front lens cap × 1

Screwdriver x1 & screw x24

Warranty card x1

Interchangeable mount x9

Specifications

Lens

Model

15mm T1.6 Cine lens

24mm T1.4 Cine lens

35mm T1.4 Cine lens

50mm T1.4 Cine lens

75mm T1.4 Cine lens

150mm T4 Cine lens

Format

Full frame

Focal length

15mm

24mm

35mm

50mm

75mm

150mm

Maximum aperture

T1.6

T1.4

Minimum aperture

T16

T22

Lens construction

17 lenses
in 12 groups

14 lenses
in 11 groups

16 lenses
in 12 groups

Aperture blades

Shooting distance

0.3m – ∞

0.26m(0.85ft) – ∞

0.3m(0.98ft) – ∞

0.43m(1.41ft) – ∞

0.75m – ∞

0.29m – ∞

Minimum focus distance

0.3m

0.26m

0.3m

0.43m

0.75m

0.29m

Focusing method

Maximum magnification ratio

0,08 (1:12,5)

0,15

0,162

0,15

0,11 (1:9,09)

1.5X

Field of view (FOV)

98.1° (V)
74.33° (H)
109.3° (D)

52.06° (V)
71.82° (H)
82.93° (D)

39.6° (V)
57.1° (H)
66.3° (D)

28.114° (V)
41.22° (H)
48.758° (D)

26.83° (V)
17.88° (H)
32.34 (D)

9.12° (V)
13.59° (H)
16.26° (D)

Filter size (mm)

M77×0.75

M67×0.75

Focus ring rotation angle

270°

Maximum diameter (mm)

Outer diameter
Focus ring (mm)

80/3,15

Outer diameter
Aperture ring (mm)

75,2/2,96

Length (mm/in)
(without lens cap)

E-mount: 107/4.21
RF-mount: 105/4.13
L-mount: 105/4.13
Z-mount: 109/4.29

E-mount: 107.2/4.2
L-mount: 105.2/4.1
RF-mount: 105.2/4.1
Z-mount: 109.2/4.3

E-mount: 106/4.2
L-mount: 107/4.2
RF-mount: 104/4.1
Z-mount: 104/4.1

E-mount: 102.2/4.0
L-mount: 100.2/3.9
RF-mount: 100.2/3.9
Z-mount: 104.2/4.1

E-mount: 96.7/3.81
RF-mount: 94.7/3.73
L-mount: 94.7/3.73
Z-mount: 98.7/3.89

E-mount: 146.6/5.77
RF-mount: 144.6/5.69
L-mount: 144.6/5.69
Z-mount: 148.6/5.85

Weight (g/lb)
(without lens cap)

E-mount: 607/1.34
RF-mount: 620/1.37
L-mount: 607/1.34
Z-mount: 620/1.37

E-mount: 597/1.3
L-mount: 604/1.3
RF-mount: 611/1.4
Z-mount: 611/1.4

E-mount: 590/1.3
L-mount: 593/1.3
RF-mount: 606/1.3
Z-mount: 607/1.3

E-mount: 599/1.3
RF-mount: 613/1.4
L-mount: 601/1.3
Z-mount: 613/1.4

E-mount: 599/1.32
RF-mount: 613/1.35
L-mount: 600/1.32
Z-mount: 613/1.35

E-mount: 715/1.58
RF-mount: 730/1.61
L-mount: 715/1.58
Z-mount: 730/1.61